Budhaditya Chattopadhyay: Documents a Landscape in Metamorphoses
Tobias
“Audio Practitioner” Budhaditya Chattopadhyay is drawing attention to the rapid social and geocultural transformation of his native India on his latest album. “Landscape in Metamorphoses”, a 26-minute collection of field recordings on German label Gruenrekorder, documents the stormy environmental changes taking place in Tumbani, “one of the busiest industrial belts at the Bengal-Bihar border”. Recorded between February and April of last year with little more than a simple MD recorder and a binaural microphone, “Landscape in Metamorphoses” aims at delivering both a vivid sonic snapshot and a strong political statement: “The area under attention is mostly inhabited by discreet tribal population who survived with cultivation of land, hunting and a deep-rooted community tradition for many years”, Budhaditya Chattopadhyay explained, “In the last few years the area has been discovered of its stone resources, making way into foundation of small-scale industries for cement and concrete. People and land are used in the industrialization process initiating collective change in the landscape, which is quite a common phenomenon in this developing country. A fertile land of rapid change, tumbani is one of the sites which succumbed to the euphoria over industrial development, improving lifestyle and growth, creating lapses in cultural memory. “
To Budhaditya Chattopadhyay, sound is ideally suited for making these processes transparent. The richly detailed sonic exuberance has made way for a static and oppressive industrial noisescape. By presenting his recordings in their pure original state, Chattopadhyay emphasizes their political aspect, while leaving questions of exact interpretation to the listener.
Despite its analytical nature, “Landscape in Metamorphoses” also deals with feelings of helplessness at loosing one’s most cherished memories – and is therefore ultimately a deeply personal work: “From a motivation of return and revisit, being spent my childhood here, I realized while going through the recording experience, the topography of my childhood already disappeared into nostalgia. Not merely a sonic representation of a transfigured landscape, this work is also a lamentation over my own personal loss of memory-associations.”
Homepage: Gruenrekorder
Homepage: Budhaditya Chattopadhyay